American Music Showcase: Grand Center

Sooooo... those of us old people in the county who have not been paying attention  might want to start.   There are things happening in mid town at Grand Center.  I do not think you can give Father Biondi all the kudos for this but it certainly would not be happening without the revitalized, re-beautified, re secured SLU Campus.

The anchor of course is still The Fox.  One of the greatest landmarks in St. Louis and we can likely never be grateful enough for the rehabilitation of that building, great shows, beautiful facility, nice mix of entertainment there.  There is of course Powell Symphony Hall which I believe I was taken to once in grade school but other than that can voice no familiarity.  Jazz at the Bistro has soldiered bravely down there for years but with the addition of Kota, the new Dooleys and the City Diner there is some momentum being gathered.  Additionally on the southeastern portion of the area, there is Plush, Field House, Triumph, The Moto-Museum, Hotel Ignacio and Vitos.  It is still dead to the north but heading west you have KETC, and the new home of KWMU and now KDHX is moving in next to the park.  Directly south is the anchor of SLU.  It is starting to look solid.

So we did not have anything to do on Saturday night other than a forced invitation to go get drunk on a porch in Glendale which my wife was not enamored with.  I had read in the paper and then heard on KWMU about the American Music Showcase.  6 band in 5 venues.  Strauss Park kicked it off with the Thin Dimes.  Strauss Park is the little triangle across from the FOX bordered by Jazz St. Louis nd that big ass Baptist Church.  We were able to buy our wrist bands for 10 bucks each.  There were about 40-50 people in the park around 7:30 and we were able to grab a table at Jazz at the Bistro and have a little diner while the Thin Dimes did a nice country set with electric and acoustic and a nice female vocalist. It was a little loud.  Some people rode up on bikes and some people came with dogs and there was a nice mix of people.  The food was also good at the Bistro.  Urban Chestnut had a little stand giving away some samples with your admission and selling a few local brews.

We moved from there to a place I had never noticed before, the Hotel Ignacio.  I do not know what the rooms look like but they appear to be affiliated with (connected to? owned by?) the Trimph Grill/Moto Museum people.  We grabbed a cocktail at the hotel bar and found a cushy lobby chair to share and had the most pleasant surprise of the night with Beth Bombara.  She has a sweet voice and a nice little combo with a bass player and another guy who plays lap steel and then occasionally picks up the trombone to play a little as well and together.... a sweet sound.  I bought one of her Eps and will definitely go see her play again.  High point of the night.  Support local music, blah, blah, blah.

The Thin Dimes in the park at twighlight.

From there we walked up to Vitos and passed on the band playing outdoors there... no seating, before ending the night at Dooleys to see the Bottoms Up Blues Gang.  Everybody loves these guys.  I did not.  Dooleys basement seemed like it had potential to be a nice venue but... we had a drink and bailed. Still, it was an awesome night.

Soo... Grand Center, big potential.  Go out and check it out.  You also should check out the Thin Dimes and Beth Bombara.  Good music that makes you smile... it don't get much better.

This was a strong message from Dooley's bathroom.

Happy New Year: Music Is Everywhere!

Soooooo my son gave me a XM/SIRIUS thingy for my car and a 3 month subscription. My wife already had it in her new car. I am really excited but it made me realize that I am starting to get overwhelmed by music availability. I have more places to listen to new and varied music than ever but feel like I am hearing less and less that is new that I am really interested in listening to. Lets look at how I used to find music:
1. Rolling Stone
2. KDHX
3. No Depression Magazine; and
4. Word of Mouth

Then I would buy a CD and make a mix tape to listen to in my car. Then I put music on my computer and that was awesome. I could make my own mix CD’s and after a few months of burning had most of my music library on my computer. I am convinced that there has never been more music out there as bands use he technology to make their music and distribute it but it is just too much to sift through. When we had only the record companies you were made aware of all major releases through advertising and buzz and then as the industry evolved which Indie labels were worth following. As the business has devolved it is a glorious chaos. Now I am in the middle of doing something called “iTunes Match” where I put it all my music on the cloud. I am told that I can now access my music library on any device and at any time. I don’t even know yet exactly how that will benefit me but I also know that Apple will find a way. In regard to music generally though, I am just sitting here feeling overwhelmed. Here are some of the things overwhelming with music as we start 2012:

1. Spotify: Spotify is cool and has easy access for even the computer semi literate like myself. Ease of use is what Apple gave us along with design that was more like art and made you feel cool for owning it. Spotify is similarly easy and intuitive for streaming artists you want to check out. But you got to find the artists. They do not make suggestions or at least meaningful suggestions and if your tastes are all over the place, don’t go here to find music, just to listen to it.

2. On Line Music Reviews: They are all over but what are the “trusted sources”. There is a great music industry blogger/email new letter guy named Bob Lefstz lefsetz.com who has turned me onto some good stuff but finding the guys you trust is really going to be the key to on line music in the near term. Who are the “filters” going to be that turn you on to good shit?

3. You Tube: A day killer. Pump in a bands name and check out videos and sometimes just the music of anyone...in the world. It will suggest similarly named videos but can do nothing to suggest types of music or artists.

4. Pandora: Is still fun and one out every 10 songs is something I have never heard and one out of every 20 is an artists I have never heard. I like to leave it streaming while I am working or reading to see what, if anything they come up with and take notes.

5. XM Radio: Great for filling need of what you want but you have to know where the new music shows are on your favorite channels. Still more for listening to what you like, rather than finding what you might like.

6. Pitchformmedia.com: Overwhelming! You should always want to go hear but they cover everything and whether you or I like it, electronica is huge, rap and hip hop are still forces and they cover EVERYTHING. They do it all in a self important justified “voice” that appeals to me. Sometimes wrong but never unsure, Pitchfork provides new music, and opinions as to quality. The key there is once again spending time and finding who the reviewers are that can really point you in the right direction.

7. NPR: For an old fart this is probably the best. Listen to their shows and touch their music pages at NPR.com and they will turn you on to some good stuff. They have become a trusted source and filter for me.

8. No Depression.com: This is what is left of the old No Depression magazine...RIP. It is still good for the alt-country/Americana music I love. My one complaint is that they are relentless cheerleaders for the genre. Sometimes you have to call something crap and stand by it. Everything they review is glowingly reviewed. Still, their annual top ten lists are something I always tune in to.

9. Radio: Normal, terrestrial radio is dead and irrelevant for music. Unless you are going to be satisfied with classic rock or big hat country, it is dead as a music source. Live with it. Move on. KDHX is the sole exception to this locally and they really are a treasure. They of course veer towards the Americana music that I like but they are deep on blues as well and provide a gathering place for those excited by music. Become a member. kdhx.org. Other than that, listen to NPR or if you want to be angry listen to 97.1. Other than that ride in silence.

Ok....so that is my thought on the current overwhelming state of music. There has never been a better time to be a fan and to find obscure things that no one else has ever heard of. Unfortunately it takes time and it takes sifting and I don’t have it anymore. At 50 life has suddenly...caught up to me. I never thought it would happen to me.

Off Broadway, KDHX, Marshall Crenshaw, Bottle Rockets and Dale Watson

Sooooo...I am falling in love with Off Broadway and with KDHX all over again. Last things first but KDHX in my adultery.... or in my adulthood has become such a mature, yet still such a fun station. We have no idea how lucky we are in a market like St. Louis to have a good NPR station and a good independant music station. There is NOTHING play listed about KDHX and if you know their programming schedule the chance to hear eclectic music in a genre that you like is awesome. They have always promoted live music in town but have gathered the people and economic resources so it seems like they are always promoting great music coming to town. Here is site for their schedule of weekly shows:

http://kdhx.org/radio/881-kdhx-schedule-shows-and-playlists

On to more important matters. Off Broadway was formerly a nightmarish venue. It had a lot of character. It had cold beer. It had good shows. But it was dirty, beaten up, looked like a big version of my old dorm room only the wagon wheel was a chandelier rather then a coffee table. That was not the problem though, the problem was that the shows would be doors at 8 and show at nine. More often then not the show would not start till 9:30 and then they would book three acts (two local) which meant that the headliner often did not start till 11:00 and sometimes would not be done till 12:30 or 1:00. That just became too late for and aging man like myself. They have a very accsesable web site which i link to from the Diner review home page but it is good to keep an eye on. I cannot complement the place enough and for the first time in a long time it seems like we have a somewhat worthy successor to the niche that Mississippi Nights formerly held. It can be a little “close” sometime but that does not change the...awesomeness of having great bands playing at a reasonable time, close enough so that the guitarist can spit on you... should he have a mind to.

I have seen two shows there already this year. the first was the Marshall Crenshaw show where he was backed by the Bottle Rockets. I got a little confused by the billing not understanding that the Rockets would be his back up band and then still not expecting an opening set from them. You can say what you want about Bryan Henneman but he has become a local treasure and he really knows how to put on a show. There is none of the shoe staring mopiness of a Jay Farrar show and of course though Tweedy is great... he did leave us... the bastard. So Henneman comes out and the place is packed. Easily 20% of the folks were out just to see a Bottle Rockets show and he did a great job... just the hits folks...just the hits. The bottom line is that he puts on a great show, works the audience and delivers... every time. Then Crenshaw came out. Marshall Crenshaw was the next big thing for a solid 5 years. he was a critics darling who wrote some excellent songs, had a distinctive sound and great pop sensabilities. But... he could never quite crack it. He got to play Buddy Holly and continued to put out quality, crafted pop but he never made it, as making it was defined in the day. His debut album in 1982, the epynomous Marshall Crenshaw is a pop gem. Buy it. But he is old. With the Bottle Rockets and Henneman all wearing what looked to be J Crew style pork pie hats they looked like a group of middle aged men very uncomfortable with their baldness. Still, Crenshaw worked through his beautiful jangly songs and it was just a lot of fun. As I said the place was absolutely packed and it was a lot of fun. it remined me again about how fun a show was and I saw local music head R. Brightman who informed me Dale Watson would be playing the next week... and I needed to see him.

I had no idea who Dale Watson was. But Brightman has an ear for the twang and he seems to have a lot of the Bakersfield penchant that has grabbed me for a while so... I trust him. he has also gotten me into a couple of house concerts and that is something for which i owe him no small debt. So... on a Sunday night after the first football playoff game and during the second one I headed out to the show solo. There were not quite as many people there and he had a nice big bus in front of the place but he came out and... he was site. He has a pretty regular gig at the revered Continental Club in Austin and I would judge his age at somewhere north of 50. I have never seen hair like his in my life. There was a good crowd there and he came out with a very tight band and a sweet lap steel player. Beatle Bob was there doing his thing (he made the Marshall Crenshaw show as well and he rocked us through a set made up of his own classic country relating to liquor, death and sadness. It was a well received show that had people two stepping the night away on the dance floor in front of the stage.

St. Louis is not grateful enough for it’s music scene. Off Broadway and KDHX are partnering to put on some great shows. Pay attention. In the words of Neil Young, “Live Music Is Better! Bumper Stickers Should Be Issued!” Amen.